![]() Working directly with the artist is a plus, because it increases the chances that the resulting song will make the album. As I’ve honed my craft, I’ve come up with a formula I like for writing songs.” “Then I start to see things and begin writing them in song form. “Once I hear the beat and the music, I ask myself what it makes me feel,” she says. She is frequently called on to create the melody and lyrics for an existing track. Now living in Los Angeles, Riddick keeps a busy schedule in the studio. She cowrote five songs with Beyoncé for her blockbuster B’day album, including the number-one hit “Déjà Vu.” Other credits include “Do What You Do” by Katharine McPhee and “If It’s Lovin’ That You Want” by Rihanna. In 2002, Riddick signed with Bad Boy Music Publishing/EMI Music Publishing and has since gotten her songs cut by such artists as Janet Jackson, Toni Braxton, LeToya Luckett, and Jessica Simpson, to name a few. Max Gousse, senior vice president of A&R at Epic Records, helped place her songs in projects by Jennifer Lopez and B2K. ![]() Through further networking, word spread in r&b and urban music circles that Riddick had serious chops as a songwriter, singer, and producer. It was a stroke of luck when she ran into veteran songwriter Curtis Richardson, who recognized her gift for songwriting and began cowriting with her. A handful of Berklee songwriters with full-speed-ahead careers paused to share their insight on what it’s like to be a songwriter in the fast lane.Īfter studying music business and songwriting at Berklee, Makeba Riddick ’99 headed to New York to launch her career. With the demand for music soaring and the new-media options of the digital marketplace burgeoning, songwriters now have many more outlets for their creative work than in the past.
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